![]() ![]() ![]() Occasionally you have to improvise if something doesn’t go to plan. He does manipulate Christine – think of those lines ‘Turn your face away/ From the garish light of day’ – he’s actually turning her head without touching her – she’s watching his movements and his hands and she’s magnetised by him. I wanted a kind of maturity about the Phantom as well as the period it’s set in. I love telling a story with my hands and use them to express a lot of things, to make them kind of artistic and expressive so people focus on them. But because you’re masked you can’t convey things with facial expression, so body language is really important. In some ways it’s an easy role because you’re not actually on stage that much, although when you are there’s a huge impact. ![]() Simon: Of course the Phantom is a very different role from Raoul and it was exciting to make that transition to my first mature lead. ![]()
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